Best of the Rest: Our Top London Shows Of the Week

Time to bust out the aspirin and throw on our "I Survived Fashion Week" T-shirt. As London Fashion Week comes to an end, we reflect on a memorable season that gave us a bridal Dree Hemingway at Henry Holland, a Flintstones acid trip at Jeremy Scott, and enough Geldof sister sightings to last us a century. We've already recapped the best shows from the weekend, but the following shows from Monday and Tuesday also provided plenty of lusting—and here's the cream of the crumpet.

The classic Brit label's much-anticipated return to the motherland didn't disappoint, and neither did the front row lineup consisting of Gwyneth Paltrow, Victoria Beckham, and Mary-Kate Olsen. Sticking to spring's popular neutrals with shots of pistachio, lilac, lemongrass, butter yellow, icy blue, and baby pink, Christopher Bailey delivered gorgeously draped skirts and dresses mixed with belted cardigans and glimmering tops. The iconic Burberry trench, meanwhile, got a more youthful and feminine revamping thanks to a slimmer and sleeker cut and ultra-glam ruched and metallic details. Please, sir, can we have some more?

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The explosive prints we've come to associate with Peter Pilotto seemed more sublime and sophisticated this season. Our hearts yearned for the fitted orange- and blue-flecked snakeskin trench that kicked off the show, along with graphic print tops and frocks generated by images of fireworks (how's that for explosive?). A moody palette of silvery grays and blues blended seamlessly with more intense hues, once again providing the perfect antidote to the standard little black dress. If we can get our hands on some snakeskin pants, we'll be happy campers come spring.

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Move over, Dorothy. Gingham (yes, gingham) got its fashion groove back thanks to a series of easy day-to-night dresses featuring pleats, well-placed slits and cutouts, sheer panels, and sexy bustier-style details. Kane's palette of navy, white, chocolate brown, robin's egg blue, and pale pink felt just right for spring, especially when paired with an antiquey rose print. Though as a whole the collection felt sweet and dainty, gals can find street-smart and sophisticated looks to chew on, too.

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Goot's autumn/winter 2009 collection was one of our favorites from last season, and it's reassuring to see that the Australian designer hasn't lost his momentum. One of the most vibrant collections of the season, Goot's spring line showcased an '80s-esque, beachy kaleidoscope of scarlet, orange, turquoise, candy pink, lime green, and peach mixed in with black and white polka dots. Think Pucci, but younger and juicier.

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The little white dress is a perennial spring staple, and one with endless opportunities for reinterpretation. That's just what Saunders did for his spring 2010 collection, showcasing airy but edgy pale frocks bisected by sheer cutouts and smeared with screen-printed streaks of color. Saunders' knack for color blocking also reared its head, resulting in a perfectly lovely one-shoulder minidress split into taupe, pale blue, cream, and the petal-pink panels.

Images from Style.com.