It’s Official: Women Made All The Best Movies Of The Year

Photo: Focus Features/Kobal/Shutterstock.
The 2020 Academy Awards marked yet another year in which women were left out of the Best Director category. It’s unfortunately not entirely surprising, as only five women have ever been nominated in the 92 year-history of the Oscars, and only one (Kathryn Bigelow, for The Hurt Locker) has ever won.
It’s a normalised occurrence that’s so disheartening, especially given that that the ceremony has progressed in so many ways over the years but still fails in this area time and time again. However, this year's nominations for the 30th annual IFP Gotham Awards tells us that this doesn't have to be a norm — and could be a harbinger of change to come.
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For the first time, every nominee for in the Best Feature category is directed by a woman. The Gotham Award nominees are Kitty Green's The Assistant, Kelly Reichardt's First Cow, Eliza Hittman's Never Rarely Sometimes Always, Chloé Zhao's Nomadland, and Natalie Erika James' Relic. The Gotham Independent Film Awards are presented to the makers of independent films at a ceremony held in New York City every year, but the 11th January 2021 ceremony will be hosted in "a hybrid format" in order to follow COVID-19 safety protocols.
Some other notable nominees this year are Chadwick Boseman, who received a posthumous nomination for his work in Ma Rainey’s Black Bottom, Nicole Beharie in Miss Juneteenth, and Netflix's controversial film Cuties in the International Feature category.
It may be a relatively small awards ceremony compared to the marquee ones everyone knows about, but it's worth paying attention to — as so many giant, blockbuster productions were delayed this year due to the pandemic, it's opened the door for indies and smaller films to finally get well earned recognition. It also standardises the idea that snubbing women directors — let alone women working in movies in any capacity — isn't normal. It's discrimination.
In 2018, when Rachel Weisz accepted a Gotham Award for her role in The Favourite, she laid out her vision for a similarly progressive future. “I hope one day in the not-so-distant future we don’t get asked what it was like to share the screen with other women,” Weisz said. That time may be now.

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