Last year's Sundance hit was this little-known debut called Beasts of the Southern Wild, which quickly rose to acclaim and introduced us all to Quvenzhané Wallis. If studios want to repeat the success, they should look at Hellion's Josh Wiggins. Wiggins' performance is outshining those of his costars, which include Juliette Lewis and Breaking Bad's Aaron Paul — though the latter is getting rave reviews, too. As the teenage son of Paul, Wiggins plays Jacob, who is narrowly avoiding juvenile delinquency while his father is absent. It is an auspicious start for a young actor, especially at a festival that privileges the powerful child actor.
The entire cast and concept of the satire Dear White People should really be included here, because the film — from its Kickstarter concept to its ensemble cast — demonstrates that everyone involved (including Lena Waithe) has a bright future ahead. But Simien, the writer-director, is making major waves for presenting a movie that is both funny and sensitive. At a fictional Ivy League school, a group of black students have different reactions to their all-white surroundings, until a group throws a "ghetto-themed" party complete with watermelon and black faces. This movie incites much discussion, but ensures that none of its characters are reduced to a single dimension. A surefire hit and a new cult classic.
Sure, we caught up with him last Sundance for his feature with girlfriend Elizabeth Olsen, but this year, he is in not one, but two of the most talked-about films of the fest. He's playing Kristen Wiig's "big mistake" in the marquee hit The Skeleton Twins, but also has his own vehicle with Elizabeth Banks called Little Accidents. With two films, plus an appearance in Ben Affleck's Gone Girl and Terrence Malick's new film, it's Boyd's year.
To be frank, Astrid Bergès-Frisbey is breathtakingly, exotically beautiful. Generally, this isn't a reason to think that a star is rising, but her striking otherworldliness is one of her character traits in Mike Cahill's brilliant film, I Origins (which is also the reason that her visage is the film's lead image). A few years ago, Cahill made a Sundance debut with the acclaimed Another Earth, but his larger-scale I Origins hinges on the performances of his leads, and Bergès-Frisbey, as the spiritually in-tune and free-spirited Sofi, is impossible to turn away from. Also, she showed up to the premiere rocking head-to-toe Chanel, which means we can look forward to seeing more of her films — and red-carpet appearances.
Imagine your first feature film starring not only an A-list actress, but one who is a winner of the most recent Academy Awards. That's how bright Kate Barker-Froyland's future is, and why her film Song One is one to watch. By teaming up with Anne Hathaway for an ode to Brooklyn, Barker-Froyland's film is one of the most talked-about at Sundance.
Whoa, talk about a heavy hitter. The actor has already garnered critical acclaim for his role in The Spectacular Now, but the young actor just cut his teeth in blockbuster fodder by playing Zac Efron's best friend in That Awkward Moment. And, he will reunite with Shailene Woodley in her sure-to-be massive blockbuster, Divergent. But, all those accolades pale to his performance in Whiplash, which took the once-unfortunate role of opening the festival and used it to electrify audiences. Being called the "strongest opening film" in years, Teller's performance as a jazz drummer striving for greatness launched this film into the spotlight — and was quickly snatched up by Sony Pictures Classics.
To be fair, we should list this as Taika Waititi and Jemaine Clement, since they both wrote and starred in What We Do in the Shadows, but we figured that everyone would be familiar with Clement since his turn on Flight of the Conchords. This hilarious film deflates the sexiness of vampires by showing a group of them, mockumentary style, living together as modern roommates. The film takes on vampire tropes, documentary tropes, reality TV tropes, and roommate tropes, and the result is hysterical.
Proving that horror still is the most fun genre around, this Welsh-born director is debuting Raid 2, a follow-up to his now-classic Raid. Evans, and his die-hard following, is continuing to demonstrate that the action genre, especially when paired with buckets of fake blood, still has plenty of life.