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Abbie Chatfield Faces the Internet’s Worst — But Keeps Talking Anyway

Photo via @abbiechatfield.
There’s a moment, mid-conversation with Abbie Chatfield, where she shrugs off the idea that her radical honesty is some kind of carefully crafted brand. “People always ask, ‘how are you so brave to share everything?’” she tells Refinery29 Australia backstage at DomeFest. “And I go, I just have ADHD. I just don’t have a filter.” It helps explain why she continues to resonate with audiences online, even as the internet becomes a tougher place to exist publicly. Fresh off a live set at DomeFest, where she unpacked a bizarre, outdated men’s self-help book she picked up from an op shop years ago, Chatfield is buzzing. The show was unmistakably her: funny and chaotic, but grounded in something sharper. “I’ve been thinking about how to use it for years,” she explains of the book. “And this just felt perfect.”
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What makes Chatfield so compelling isn’t just her willingness to go there, but how she takes audiences with her. She doesn’t pose as an academic or pretend to have all the answers, instead positioning herself as a kind of cultural middlewoman — someone who can translate big, often intimidating ideas into something that actually lands and can be understood. “The easiest way to explain these concepts to people… is to bring humour,” she says. “Or to bring an example and go, ‘look how ridiculous this is, but here’s why’. It’s just the way that I communicate with people.”
She deliberately rejects the idea that conversations around feminism, misogyny, and culture need to be highbrow to be valid. She says people aspire to be academic about the way they speak about feminism, but the way to get more women to understand it is to talk about it “in a way that you talk about it with your girlfriends over a wine”.
“I don’t know about your girlfriends, but we're not sitting around reading feminist theory. We're talking about something we saw on a reality show and going, ‘that's actually so sexist’,” she explains. That approach has defined her career, particularly her podcast It’s A Lot, where recaps of shows like Married At First Sight sit alongside discussions about gender politics and media literacy. It’s messy and funny, but intentionally so. 

I don’t know about your girlfriends, but we're not sitting around reading feminist theory. We're talking about something we saw on a reality show and going, ‘that's actually so sexist’.

Abbie Chatfield
But authenticity at that scale doesn’t come without pressure. Chatfield is candid about the expectations placed on her to share more — especially when it comes to deeply personal or traumatic experiences. “People have told me that I should share details of abuse… which I would just never do,” she says plainly. Between Australia’s defamation laws and her own safety, there are firm boundaries she refuses to cross, even if audiences feel entitled to more. The tension between openness and self-protection, she says, sits at the core of her public persona. She’ll tell you about accidentally liking her partner’s ex’s TikToks in a moment of pure chaos, or laugh about being a nightmare housemate in her early twenties. But she’s also clear-eyed about what she owes the internet: not everything.
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And then there’s the backlash. Chatfield has long been a lightning rod for online criticism, much of it steeped in the exact misogyny she calls out. She doesn’t pretend it rolls off her back, admitting that it often worries her, or sends her into a depression. “It’s not even that it hurts me. It’s like, how are there so many people that think like this?”
Still, she keeps going, because she understands the value of what she’s doing. By meeting people where they are (whether that’s through reality TV recaps, live shows, or chaotic anecdotes), she’s opening the door to conversations that might otherwise feel inaccessible. If anything, Chatfield’s refusal to polish herself into something more palatable is what makes her so effective. She’s not trying to be perfect. She’s not trying to be universally liked. She’s just trying to make people think — and in 2026, that kind of authenticity still feels radical.
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