Have you shopped while in San Francisco?
"I went to some of the vintage stores. Suzy [Menkes] took us with her on a shopping trip. We went to Reliquary and we went to the African shop across the street, which was my favorite. I bought lots there and so did Sarah [Burton]. And nothing was for sale in the store! This one piece that Sarah wanted was not for sale. I had to explain to the woman in the shop. I said, 'You know that girl who's standing over there who wants to buy that piece? Did you see the royal wedding?' And she goes, 'Uh, yeah.' And I said, 'She made the wedding dress.' And then she said, 'Okay, it's for sale.'"
When you were speaking to the students earlier in the week, you mentioned hating the word fascinator. Why?
"It's the most ridiculous word. Personally, I think it sounds like some dodgy sex toy. And it's really a head dress. Or a hat. A baseball cap is a hat. A headwrap is a hat. Anything you put on your head is a hat. But I hate fascinators, even though people think my hats are fascinators."
You also mentioned that JFK going hatless might have influenced the lack of hat-wearing in the U.S.
"I'm a huge fan of the Kennedy administration and how glamourous it was. He choose not to wear a hat and he was the most important person in the world at that moment. He was the taste maker and the taste meister. And he had the most incredible hair and didn't need a hat. Of course, that didn't help the men's hat market, but that was his choice, which I empathize with and understand. I think hair became more important than hats in the '60s and that likely began to kill the hat industry. His wife wore a pillbox, but it was an excuse for a hat, really. It was all about everything but the hat. Halston, who was one of my favorite designers, designed that hat. And I love Halston more than the pillbox. But that's what she wanted."
So, by the time you started studying hat making, they might have already been démodé.
"When I started designing hats, the other students would say in a very apologetic way, 'Why are you designing hats? Only old ladies are wearing hats.' But I love hats — that's why I design them. Hats are about another dimension of passion about dressing up. You have to wear shoes, you have to wear clothes, but you could spend your whole life without wearing a hat. I quite like the fantasy aspect of hats because it's about self embellishment. We all have a head and everyone has the potential to wear a hat. And they've really changed from being conformist accessories to an accessory of rebellion. So, I make hats for the rebels of the world. And I like that, a lot."
Do you think hats will always be bigger in the U.K. than they are over here?
"It's bigger in the U.K., but it's traveling! Glamour transcends culture. I mean, are you trying to say that American women aren't interested in glamour? Of course they are! They're some of the most glamorous women in the world. I think in the future, maybe when I'm dead, they're going to get into hats. Fashion today is not about the designer, it's about the individual. It's become muchos democratic. Magazines pretend to dictate style. But they can't. That's over. Today the power is with the consumer. And hats really fit into that individual approach. They are really the epitome of individuality. I can see people scared to wear a hat because of what other people might think, but I can also see the writing on the wall and pretty soon, there'll be someone walking down this very street in San Francisco saying, 'I feel like wearing a fucking hat, because I feel like it.'"
Do "hat people" have anything in common?
"I know all of the hat wearers of the world and they are not who people think they are. People think that people wearing hats are looking for attention. But, in fact, they are often quite shy people who gain their power through wearing hats. Instead of popping a valium, a hat can make you feel better because it sort of takes you away from yourself. It makes you feel good. Once women universally understand that hats are empowering, they'll be back in a big way."
How important is it for you to talk to the design students at the AAU?
"I empathize with students because I was a student. It's all about encouragement. It helps you move forward, because to be encouraged when you're young is everything. I come from a tiny village in the west of Ireland. I have seven brothers and one sister. My mother was a baker. Alexander McQueen's father was a taxi driver and his son became a fashion icon. So, I believe in that. You can come from nowhere and go everywhere. It's all about talent. It's not where you come from."
Photo: Via Facebook/Philip Treacy