As Malone's distinctive voice glides over the hazy footage, intercut shots transform her baby-faced ingénue into a defiant, colorfully made-up femme fatale against a floral backdrop. Only 21 when the vignette was filmed six years ago, the actor’s performance was informed by her own personal transformation at the time. “I was definitely a girl on the verge," explains Malone. "Liz had the sense to see the woman that was crystallizing inside of me. It felt comfortable and somewhat voyeuristic — like the woman I was to become was having a muse’s sitting with my younger self, asking her to remember things."
Much like Goldwyn's acclaimed HBO documentary Pretty Things, an exploration of American Burlesque culture, The Painted Lady and its sister project, Sporting Guide, spark discussion of broad social issues, such how our view of the body impacts feminine identity. “In all the work that I do I'm promoting an intelligent conversation about sex,” the director explains. “Jena might look glamorous, but there's a lot of darkness in these stories.”