Pictures
Braids
Supplies: Paul Mitchell Awapuhi Wild Ginger Texturizing Sea Spray, $17.25, available at Amazon; Paul Mitchell Fast Form Cream Gel, $18.99, available at Amazon; Paul Mitchell Hold Me Tight Spray, $16.99, available at Target.
Supplies: Paul Mitchell Gloss Drops, $8.99, available on Amazon; Paul Mitchell Foaming Pommade, $21.40, available on Amazon; Blax Snag-Free Hair Elastics, $6.68, available at Amazon.
Flavian Flava and Greek Goddess Braids
Being the daughter of Roman emperor Titus (79 -81 CE) during the Flavian era had its perks. His daughter, Julia, had the leisure time to construct her hair into elaborate updos involving crescent-shaped wire frames cascading with curls in the front, and divided, braided sections in the back. (Party in the front — and in the back!) Many Roman women of leisure followed suit. The later Antonine Period (96 – 192 CE) kicked the Flavian hairstyle up a notch: The curls were lowered a bit in the front, and the braids coiled at the back of the head were moved into a more prominent position on top of the head. So fly.
Servants and slaves in ancient Greece sported short hair, and many women in Sparta who participated in sports often cropped theirs as well. Women of leisure, however, could have longer hair that they would braid, twist and arrange into ornate styles to wear at important public functions, reflecting their status and rank in society.
A few years ago, undergrads at Fairfield University’s Art History department experimented with the braided hairstyles shown on the sculpted maidens — or “Caryatids” — that hold up the Acropolis in Athens. They wanted to know if the sculptors had created hairstyles that reflected what women of the day were wearing, and they did this by testing the styles out on their own heads. The results were so beautiful that many a YouTuber has since created instructional videos so you can make your own Caryatid braids.
Being the daughter of Roman emperor Titus (79 -81 CE) during the Flavian era had its perks. His daughter, Julia, had the leisure time to construct her hair into elaborate updos involving crescent-shaped wire frames cascading with curls in the front, and divided, braided sections in the back. (Party in the front — and in the back!) Many Roman women of leisure followed suit. The later Antonine Period (96 – 192 CE) kicked the Flavian hairstyle up a notch: The curls were lowered a bit in the front, and the braids coiled at the back of the head were moved into a more prominent position on top of the head. So fly.
Servants and slaves in ancient Greece sported short hair, and many women in Sparta who participated in sports often cropped theirs as well. Women of leisure, however, could have longer hair that they would braid, twist and arrange into ornate styles to wear at important public functions, reflecting their status and rank in society.
A few years ago, undergrads at Fairfield University’s Art History department experimented with the braided hairstyles shown on the sculpted maidens — or “Caryatids” — that hold up the Acropolis in Athens. They wanted to know if the sculptors had created hairstyles that reflected what women of the day were wearing, and they did this by testing the styles out on their own heads. The results were so beautiful that many a YouTuber has since created instructional videos so you can make your own Caryatid braids.
At Nanette Lepore, stylist James Pecis for Bumble and bumble created a "girl from Mars" look with these spiky topknots. We love how the look is almost alien-chic — it's a statement that's cool, yet totally wearable.
Photo: Courtesy of Bumble and bumble
Photo: Courtesy of Bumble and bumble
At first glance, this look could be a simple side chignon, but the close-up view shows that it's anything but basic. Working with Kérastase Ciment Thermique to get that super-slick texture, stylist Odile Gilbert created this Art Deco-inspired look, wrapping sections of hair over each other. The two silver barrettes add even more slick, modern texture.
Photographed by Nina Westervelt/MCV Photo
Photographed by Nina Westervelt/MCV Photo
We love this fluffy, voluminous take on milkmaid braids, created by Antonio Corral Calero for Moroccanoil at the Alice + Olivia presentation. The dark, vampy lip combined with the devil-may-care texture takes the Heidi connotations out of this classic style.
Photo: Stephen Churchill Downes for Moroccanoil
Photo: Stephen Churchill Downes for Moroccanoil
We've shown you how to create a French-braided topknot, but hairstylist Peter Gray for Moroccanoil took the look to the next level, curling and pinning the top of the hair for volume. The result: an incredibly modern, glamorous take on the french twist silhouette.
Photo: David Webber for Moroccanoil
Photo: David Webber for Moroccanoil
At Zac Posen, hairstylist Guido (working with John Frieda products) created a "lightly frizzed effect" by using a small crimping iron, then brushing the hair out before winding into a chignon. The result: a seemingly polished style that's classic, but not prim.
Photographed by Nina Westervelt/MCV Photo
Photographed by Nina Westervelt/MCV Photo
Hairstylist Odile Gilbert worked with John Frieda products (key pick: Curl Reviver mousse) to create "rocker princess texture" at Rodarte, braiding both sides of the hair and connecting them in the back to create a rosette bun. Some models wore barbed wire headbands atop this look — what could be more badass than that?
Photographed by Nina Westervelt/MCV Photo
Photographed by Nina Westervelt/MCV Photo
We told you that natural texture would be in for spring, and as predicted, we saw this gorgeous girl wearing the heck out of her full waves at the Chloe Sevigny x Opening Ceremony presentation. (Okay, so she also had some AG Hair Beach Bomb worked in.) Isn't it great when the latest trend is to simply rock what you've got?
Photographed by Sara Kerens
Photographed by Sara Kerens
To show off the luxe knits of Rag and Bone's fall line, Guido used Redken Guts 10 volumizing foam, followed by Powder Refresh to add a hint of grit to the hair before pulling it back into an alterna-chignon. The extremely low side part creates a new, downtown-edgy mood to an otherwise classic style.
Photographed by Sara Kerens
Photographed by Sara Kerens









































































































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