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For the second consecutive season, print wasn’t on the menu at Jonathan Saunder’s show. Instead colour, texture, and sex appeal were the main ingredients of this knockout collection.
Waists were whittled, busts were revealed and skin — everywhere. The full skirts and A-line cocktail dresses still managed to pack a subversive punch on the classic '50s silhouette. A moss-green wool dress was embellished with PVC embroidery and a mustard-yellow blazer was teamed with a jet-black vinyl skirt and skinny belt. The results resembled a look one of Hitchcock’s favourite leading ladies, Tippi Hedren, might have worn had she switched to the dark side.
The contrast between the '50s tailoring and BDSM accents pervaded the show, culminating in a fantastically wicked white PVC hourglass dress. The dress was striking in its sheer elegance and simplicity, as well as its wipe-on-wipe-off capabilities.
At the end of the show, as the crowds gathered to exit the marble-encrusted Royal Exchange palace, we overheard 21st-century pin-up, Daisy Lowe, waxing lyrical about a particular green lace frock. We predict that exact conversation will be reiterated among stylish women the world over. Long may it last.
From her surprise single featuring Paul McCartney to her everyday attire that includes actual haute couture, Rihanna is the kind of girl who likes to make jaws drop. She did just that last night while dining at Giorgio Baldi in Santa Monica. She went pants-less — because who has time for trousers? — in a baggy read
Writing the perfect Twitter bio is a tricky, tricky business. The best ones are crafted — and we do mean crafted — to appear like no time or effort was clocked, but that is not the case. It never is. So, we were thrilled to see The New York Times dissect just what makes a Twitter bio successful, with the industry read